EMIL BUSCH AG Portrait View Lens Nicola Camera Focus Ulf 480MM Perscheid 8X10 11X14

( Brand: Emil Busch Ag ), ( Focal Length: 480mm ), ( Type: Standard ), ( Maximum Aperture: F/4.5 ), ( Country/region Of Manufacture: Germany )

Review EMIL BUSCH AG 480mm Portrait Brass View Soft Lens Nicola 8x10 Camera Focus 11x14 Ulf Perscheid

The 480mm Portrait View Emil Lens Nicola AG 8x10 Busch Camera is a high-quality, large format lens designed for serious photographers. This lens boasts an impressive focal length of 480mm, making it ideal for capturing detailed and striking portrait images with a shallow depth of field.

The lens is constructed with top-notch materials, including high-grade glass elements and a durable metal body. The Nicola AG coating on the lens elements reduces flares and ghosting, ensuring crisp and vibrant images even in challenging lighting conditions.

The lens is designed to work with 8x10 inch film, providing an 11x14 inch print size. This makes it perfect for photographers who want to create large-scale prints with exceptional detail and clarity. The lens has a maximum aperture of f/5.6, providing a good balance of depth of field and light-gathering ability.

The lens features a focus range of 4.5 feet to infinity, making it versatile for both close-up and landscape photography. The lens mount is compatible with Busch cameras, making it easy to use with your existing equipment.

Overall, the 480mm Portrait View Emil Lens Nicola AG 8x10 Busch Camera is a must-have for serious photographers who want to create stunning, large-format images. Its high-quality construction, impressive focal length, and versatile focus range make it a valuable addition to any photography kit.

1. High-quality optics: The lens is made by Emil Busch, a well-known German manufacturer known for their high-quality optics.

2. Large format: The 8x10 size allows for greater detail and sharpness compared to smaller formats.

3. Portrait view: The 480mm focal length is ideal for capturing full-length portraits, making it perfect for photographers who specialize in that genre.

4. Aperture range: The lens has a wide aperture range of f/5.6 to f/45, allowing for greater control over depth of field.

5. Versatility: The lens can be used for both landscape and portrait photography, making it a versatile addition to any 8x10 camera kit.

1. Cost: The lens is a significant investment, and may be too expensive for some photographers.

2. Weight and size: The lens is large and heavy, which can make it difficult to transport and use in the field.

3. Compatibility: The lens may only be compatible with specific 8x10 cameras, so it's important to check before making a purchase.

4. Learning curve: If you're new to large format photography, there may be a steep learning curve in terms of using the lens and adjusting to the format.

The 480mm Portrait View Emil Lens Nicola AG is a high-quality lens that can produce stunning results in the right hands. However, it's a significant investment and may not be suitable for everyone. If you're serious about large format photography and specialize in portraiture, this lens could be a valuable addition to your kit. On the other hand, if you're just starting out or have limited budget, you may want to consider a more affordable or versatile lens.

If you're interested in the 480mm Portrait View Emil Lens Nicola AG, I would recommend doing some research and testing it out if possible. Speak with other photographers who use the lens and see if it meets your needs and budget. Additionally, consider investing in a sturdy tripod and other accessories to help make the lens easier to use. Ultimately, the decision to purchase this lens should be based on your specific needs and goals as a photographer.

Details:

Nicola perscheid was Against retouching and his was a bit more of firm and striking compared to some of the other pictorial nor portrait artists of this time. It is very rare to find one of these that includes the hood. The subject is revealed in sharply defined form and detail surrounded in a wondrous and magical glowing luminous veil an ethereal lightness.

Color filters could have a negative effect on these semi achromatic soft focus images. Out of the four lenses the effect is most subtle with the nicola perscheid. The goal of photography as an art form is to create an emotional reaction inside the viewer of the image. With a soft focus lens the transition between in focus areas and the background is improved and the background itself is enhanced with better gradation, shape, and a steeples circle of confusion.

Color fringing and reflective ghosts are negative things that can appear in the blur disc on poor quality lenses. The lens is chromatically corrected and would work well with black and white or color films as well as with medium and large format digital sensors. The most common way portrait lenses go about creating an ideal blur disc is to carefully introduce spherical aberration a term used to describe a change in focal length throughout the aperture range. Soft focus photography became very popular with the rise of Hollywood glamour photography.

He was a true master of lighting and shadow. One must visualize the effect of light spill over on the image and learn to incorporate the spill over into an image. Many soft focus lenses used only spherical aberration to achieve their softness while allowed for more consistent results with more film types and bring together visual and chemical focus. The perscheid is very subtle and natural in its effect.

The glass is free of scratches and fungus. Light is spread into from the highlights into the midtown's and shadows in varying degrees based on proximity, focus, and the strength of the highlights. The attempt of the majority of modern lens design is to reduce optical aberrations to create sharper, clearer, more detailed, and accurate images. From a technical aspect despite their Age old soft focus lenses have great value today as powerful tools of photography.

There is a growing appreciation and the desire, among a portion of fine art photographers to explore the artistic and creative value in the unique way the soft focus and other classic lenses interpret the word. Depth is enhanced. What you are looking is often referred to as the blur disc or circle of confusion. Such as too use the flare from a highlight to brighten a cave or shadow region.

Individual bright spots combine to form highlights but with true luminosity a communal brightness, that can spill into the deepest shadows adding harmony and balance to the image. The effect is not content aware but is truly content dependent. As humans our mind focuses on something and our eyes follows.

Like the pink ham and smith visual quality, homages endoscope, and gondola Hyperion the design of the nicola perscheid is based on a modified 4 element, 2 group rapid rectilinear or aplenty that incorporates spherical aberration to create a soft focus effect. If you want a bright spot to glow across of the image you want something far different like a gondola Hyperion or pink ham and smith series iii. The nicola perscheid lens may be the original bike lens.

The positive, ideal, or best blur discs have a smooth step free gradation with the being the brightest point. The effect is different from a Gaussian blur layer in that the effect varies through the focus range of the image.

The perscheid lens was designed solely for portraiture. The idea being that the parts of the lens would be closer to being in focus while the outer parts will spread out more do to being further from being in focus. Form and detail is not lost, but instead, are combined with a warm halo is produced from the multiple levels of out of focus light. Depth of field is extended and there are special properties to the transition to out of focus and out of focus itself which retains some shape while being rounded and smoothed in a very balanced and even way no coma, or Percival curvature.

Significant early photographers who were known to have some point used a soft focus lens include Holland day, Alvin Landon Cobain, Edward Weston, nicola perscheid, Karl Strauss, George Harrell, and Anselm Adams. The smallest focus point is known as the circle of least confusion. Chromatic aberration is a term for when one or more bands of the visible spectrum has a has a slightly different focal length than the others. This comes down to a matter of tastes among the designer.

It does not have an the extreme softness that some prefer for still life's or landscapes. Legendary 480mm nicola perscheid soft focus portrait lens more desirable 4 element in 2 group version nicola perscheid is considered one of photography's greats. Global and local contrast are both affected most elegantly as light is spread from the highlights into the mid tones and shadows it does so in varying degrees based on proximity, focus, and the luminosity of the highlights. This is spherical aberration.

The lens will benefit from the improvements in modern film types and output technology. This creates a soft but sharp effect with the in focus areas produces sharp details and with the addition of a warm graduated glow formed from the out of focus light. The great photographers of the past did not have access to today's modern digital camera technology. With the power, if bright enough, to shine across neighboring area effecting the surrounding pixels and area.

Soft focus lenses vary widely in optical configurations and the principles behind each lens unique characteristics. There is mellow blending of reality and imagination as the clearly defined melts away in a kind and gentle transition into the soft and tranquil background. There is also an issue where there is often a perceived difference in focal length between the image on the ground glass visual focus and the chemical focus of the negative. Nicola perscheid must have designed this lens around the catch light in the eyes of his subject as it seems so perfect.

Black and white darkroom and contact prints also have very good technical qualities. There are a lot of variables that give each designs its unique properties a fine soft focus lens itself is an piece of art crafted purely from the creative vision of the designer. Subject, composition, meaning, and are essential components to artistic vision. It is like the lens takes you away to an almost enchanted realm.

The light near the of the disc is closer to being in focus then the light near the edge. A perfect neutral or good blur disc has no or very little gradation and small out of pinpoint highlight shows up as and evenly light circle with a hard edge. Most of the character comes from the careful incorporation of just the right amount of one more optical aberrations.

If each color has a different focal length you always have a section that is out of focus creating the simultaneous in and out of focus effect. When photographers talk about the circle of confusion as an attribute of the visible out of focus they are talking about a much larger circle that is further out of focus. The type of blur disc is associated with modern and spherically correct lens designs negative or bad blur disc's have a visually unappealing doughnut light pattern light is distributed more heavily toward the outer edges then it is in the center.

Contrast is also enhanced. What makes a lens soft focus almost if not all soft focus lenses use a degree of chromatic and or spherical aberration to achieve an effect where a portion of the image is both and out of focus at the same time. This is due to the spectral differences in between the black and white film used and the human vision system. Lone highlight details can be given a little more oomph but can also get blown out surrounding light sources.

It likes to show up as just a touch of glow to the catch lights of the eye or a reflections on the brim of ones glasses. It is still highly sought after today by collectors in japan for its historical value. He also influenced others through his images, by working with people directly in his studio, the few classes his taught, and the lens that he created and marketed. The best modern lens types uses special glass to reduces the dispersion of the optical spectrum to produce an achromatic lens.

The soft focus does not work for every image but when it does work it is amazing. In addition the local and global contrast of the entire image is softened enhanced in a most complex way. The optically produced glow and smoothness of present around the highlights and out of focus areas is perfectly steeples and analog, it is not limited by diffraction, bit depth, pixel sizes, or optical sharpness. What a spot of light is out behind of focus it spreads to form a disc.

However early on in the evolution of lens design the question was asked if more accuracy actually produced better more meaningful images. This is different from conventional lenses which are either sharp and in focus or out of focus and blurry. Often a larger circle is acceptable depending on the size of the sensor or resolution capabilities and desired print magnification of the film. What is a soft focus lens a soft focus lens is a type of lens that is designed to produce a soft but sharp image that combines a distinct, finely defined, inner image core with a warm out reaching glow.

In the soft focus world each once lonely spot, or pixel, becomes a glorious beacon of light. Negatives can Boer scanned at high magnifications using top of the line drum or Creon scanners to show the great detail and exceptional gradations present. I am certain that this is an authentic 4 group 2 element nicola perscheid lens.

From a technical aspect some of the qualities of a nice soft focus lens and modern large format film cannot be matched with digital capture. Mostly during close ups of female characters, romantic scenes, or memory scenes. Condition this lens is in excellent condition.

The first soft focus lenses relied primarily chromatic aberrations to produce a soft image. Why use a soft focus lens soft focus photography is very different then most of modern photography. The characteristics of soft focus lenses varies and some are very rare and highly sought after adding a level of prestige to owning certain prized optics. It add something magical and timeless.

The transition from the of a circular blur disc to the edge varies dramatically from different lens designs. There is a tiny bit of separation around the edges of the elements but its no enough to worry about.

In 1921 he released the nicola perscheid lens said to be the culmination of years of design and many prototype variations by the photographer nicola perscheid with the help of Emil Busch. Its not about what is the sharpest lens with the highest modular transfer function or which back has the highest pixel count. The perscheid is very subtle and natural with all of the secondary benefits of a soft focus lens. The gradations out resolve even the best of today's black and white films.

The skin is lightly smoothed and form is not lost as parts of the subject go to out of focus. An optical aberration is term describe are different types of technical flaws or optical imperfections in the lens. There is a small amount of noticeable glow but it is not as obvious or overpowering.

However with black and white film sometimes chromatic aberration can add a nice photogenic soft focus effect. A true soft focus lens is actually both in and out of focus at the same time. In the right hands a soft focus lens can be used to produce an image of exception complexity and nuance the effect of a soft lens can bring a certain harmony, balance, and emotion to an image.

A spot meter can help out tremendously with the exposure and lighting of soft focus images. There have been rumors of fake perscheid lenses. The size of the circle of least confusion is integral to many mathematical formulas for determining exact depth of field. Finding new ways to utilize and explore the unique attributes of high character lenses can be very rewarding.

Soft focus lenses and filters have been used sparingly in the mainstream from the 20 until town. There is something magical about the combination of sharp details, a delicate transition to out of focus, and gradations that sensationally smooth, rich, and creamy. Too many, the circle of confusion translate to a single spot or pixel in a print.

In order to produce this type of disc blur the light needs spread out from the at an unequal rate so that brightest point of light is at the and a smooth gradation radiates outward with no sharp edges. Some lenses have a curved depth of field that can distort the shape of the blur disc depending on the spots location in reference to of the lenses image circle. Spherical aberration occurs when the light that travels through the edge of a lens, focuses to a different point than the light that travels through the of the lens.

There is a certain balance to the lens. With the right amount of spherical aberration you can have sections of the image that both in and out of focus at the same time creating a wonderful a soft focus effect. The result can be visually distracting. Offer includes lens, flange, one lens caps, and lens hood.

Imagine a multi focal lens with each aperture being a different focal length .

Great care and consideration goes into the design of the soft focus lens. Soft focus photography allows one to take a step back and to explore photography in a new way. The quality and integrity of the scan and printing system used is not lost when using a 100 year old soft focus lens.

Lighting can be re imagined the shape of the blur disc is determined by a number of factors the number of blades on the aperture for example determines the number of sides on a polygonal disc pattern. The nicola perscheid lens is very much still a valuable tool for artistic photography. Both are circles of confusion, and to reduce confusion, I feel its better to use the term blur disc in reference a part of the cone of focus that is large enough to be clearly identified as being out of focus yet retains some shape or form. Film images can be scanned using high resolution 16 bit Creon or drum based scanners at very high resolutions and printed in large sizes to show that gradation detail not present in digital capture.

A lens with a rounder aperture is said to have a rounder blur disc. The out of focus areas on a lens of this type of have smoothest gradations and fewest distractions sharp edges, doughnut artifacts of these three basic blur disc types. The level of detail present in the core of a soft focus image varies for design to design but all soft focus images have one thing in common extraordinary smooth linear or non linear gradations. The effect is very natural and very special at the eyes, the effect reaches just the right amount of distances to add that magical look without reaching past the iris.

The term bike has become very popular to describe the attributes of the transition and look of the out of focus areas of the image. When you think about it, one can easily how the extra pixels and film real estate of large format produces higher quality images with older soft focus lenses just as it does with modern sharp glass. The lens ships from flutist camera where it is being Cal'd.

• $65.00-$229.00

specifications lephovi:

• brand: Emil Busch Ag
• focal length: 480mm
• type: Standard
• maximum aperture: F/4.5
• country/region of manufacture: Germany

Shipping lephovi:

• cost: $40.0
• handling: 2 days
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Seller lephovi:

• zipcode: 53593
• city: Verona, Wisconsin

General lephovi:

• Cameras & Photo > VintAge Movie & Photography > VintAge Lenses
• in stock: Yes

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• Started: August 28, 2016, 6:51 pm
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• quantity: 1
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