EKRAN 35OPF19-1A Ckbk Anamorphic Zoom Pl Mount Cine Lens 40-120MM F2.5 T3.1 35MM

( Brand: Ekran ), ( Model: 35OPF19-1A ), ( Focal Length: Zoom ), ( Type: Standard ), ( Maximum Aperture: F/20.5 ), ( Lens Barrel Material: Steel ), ( Country/region Of Manufacture: Russian Federation )

Review EKRAN Ckbk Anamorphic Zoom 40-120mm F2.5 T3.1 Pl mount 35mm Cine Lens

The 35opf19-1A CKBK Ekran Anamorphic Zoom Lens is a versatile and high-quality cine lens designed for 35mm film and digital cinematography. This lens features a focal length range of 40-120mm, making it an excellent choice for a variety of shooting scenarios, from close-ups to wide shots.

The lens boasts an aperture of f/2.5, which allows for a shallow depth of field and beautiful bokeh, while the T3.1 T-stop ensures consistent exposure across the entire focal range. The PL-mount makes it compatible with a wide range of camera systems, including ARRI, RED, and Sony.

The 35opf19-1A CKBK Ekran Anamorphic Zoom Lens is anamorphic, which means it creates a cinematic look with a flattened foreground and a slightly stretched background. This gives your footage a distinctive, film-like quality that sets it apart from standard lenses.

The lens also features a 1.5x squeeze factor, which means it can capture a wider image than a standard lens, and can be de-squeezed in post-production to achieve a standard 16:9 aspect ratio. This makes it ideal for shooting in 2.40:1 or 2.39:1 aspect ratios, which are commonly used in cinema.

The 35opf19-1A CKBK Ekran Anamorphic Zoom Lens is constructed with high-quality materials and features a durable, weather-resistant design. It also includes a focus and zoom gear system for easy operation with follow focus systems.

In summary, the 35opf19-1A CKBK Ekran Anamorphic Zoom Lens is a versatile and high-quality cine lens that offers a cinematic look, a wide focal length range, and a shallow depth of field. It is compatible with a wide range of camera systems and features a durable, weather-resistant design. It is an excellent choice for any filmmaker or cinematographer looking to add a unique and professional touch to their footage.

1. Anamorphic look: The lens provides a distinctive anamorphic look, which can make your footage stand out and give it a cinematic feel.

2. Wide focal length range: With a focal length range of 40-120mm, the lens is versatile and can be used for a variety of shots, from wide to telephoto.

3. Fast aperture: The lens has a maximum aperture of f2.5, which allows for good low-light performance and shallow depth of field.

4. T3.1 T-stop: The T-stop is a measure of the amount of light that reaches the film plane, and a lower T-stop means more light reaches the sensor, which can result in better image quality.

5. PL-mount: The lens has a PL-mount, which is a common mount used in the professional film industry, making it compatible with a wide range of cameras.

1. Price: Anamorphic lenses are often more expensive than their spherical counterparts, and the 35opf19-1a ckbk is no exception.

2. Distortion: Anamorphic lenses can cause barrel distortion at the wide end and pincushion distortion at the telephoto end. This can be corrected in post-production, but it can add to the workload.

3. Compatibility: The lens is designed for 35mm film and may not be fully compatible with digital cameras, especially those with smaller sensors.

4. Weight and size: The lens is heavy and large, which can be a drawback for handheld shooting and may require additional support.

The 35opf19-1a ckbk anamorphic zoom lens is a versatile and high-quality option for filmmakers looking to add a cinematic look to their footage. Its wide focal length range, fast aperture, and T3.1 T-stop make it a great choice for low-light shooting and shallow depth of field. However, its price, distortion, compatibility issues, and size and weight may be drawbacks for some users. Ultimately, whether or not this lens is the right choice for you will depend on your specific needs and budget.

If you are a professional filmmaker or videographer with a substantial budget and a need for a versatile, high-quality anamorphic lens, the 35opf19-1a ckbk is a solid option. However, if you are a beginner or have a smaller budget, you may want to consider a more affordable or compact option that can still deliver excellent image quality. It's always a good idea to do your research and compare different lenses before making a purchase to ensure you are getting the best value for your money.

Details:

This lens has a flare signature all its own. I mean like 17 pounds heavy. As you can see the serial number is this lens flattering. After shooting three features and a television series on anamorphic I am getting back into spherical lenses for change.

The following is what I have learned over years. It looks like a howitzer when its mounted. Also, while the color of flares tends to be in warm golden hue, there can purple and blues greens.

Once it is mounted, there very little need to swap glass. It is very punchy and crisp. A proper matte-box is must and will only take you so far.

There are no plastic parts internally. Tags: round-front, round, square-front, square, front, pkt 19, pl, mount, ana, anamorphic, reflex, 18, loom, zoom, fast, cinema, feature, film, 40-120mm, 20-60mm. In summary, this is a beautiful lens. Once its on you won't want to take it off.

The bad: its heavy. Or something similar own suggestion an escrow service, that is when I talked with them about this listing. It has a unique and beautiful look all its own. The lens does not have any fixtures for rod support so buyer will to figure that part out.

For sale is a gorgeous Ekran anamorphic zoom lens, 40-120mm f2. The coatings on this lens will give you no help. V p2afqs-zr30, and. This might be a turnoff to some anamorphic shooters but it makes the image less 'weird.

Another down-side is that the lens so rare. V .

You can see third-party videos of the lens here. Site home anamorphic-zoom-lenses mm -f2-5-35-opf-19-1a. Because of its uniqueness, I have grown very fond this soulful lens, almost like a member our creative team. 1 35mm format with pl-mount model number 35OPF19-1A, serial the mechanical information comes from lens techs who have had it open.

I recently shot a feature on Kiowas and this was big problem. The good: this extremely rare lens was made in a lab and machined by hand.

It has been nicknamed super zoom by the crews that have worked with. I bought this zoom a few years ago having no idea what it was. It is faster than most of the primes as well and performs better wide open. Forget handheld.

Keep in mind that the is for a vintage lens. Because it is a zoom with zillion elements for the light to kick off of, can get pretty spectacular.

Many scope lenses make actors look fat and pudgy in Cu's. People don't realize that extreme spherical cut well with normal anamorphic. To this point, an important feature of lens is that it doesn't suffer from severe anamorphic mumps. It stayed calumniated throughout the feature film that I shot with it, unlike round-front seemed to go out at drop of a hat.

That being said, this lens is not hazy or milky. You can view technical details about the lens here: s: sites. It is a much better and robust design than the loom square round-front primes.

This lens is mechanically superior in just about every way. I would know because owned a six-lens set of round-fronts and shot two feature films on them. The greatest sin of cinematography is making your lead look heavy.

So on the wide end, 40mm gives you fob of a 20mm. I would rather set it free to do what was born do: lens new creative visions, not sit in storage. There have been so few made that is almost no information on them.

In fact, using a 120mm anamorphic lens for close-ups is about the greatest thing since sliced bread. Aesthetically, it is different than a loom prime. In addition to all of the normal focal lengths middle, 120mm on long side is a beautiful length for Cu's. Also, because this thing has a giant anamorphic element in front of it, it flares big time.

V uhnhglej3do,. Keep in mind that the field of view an anamorphic lens is twice as wide. That wan't a big deal for us but its still thing.

I think this lens was an experimental that never put into production. It does a lot of work to give movies that epic Hollywood look. This is why it seems to have been hand-machined in a lab as opposed assembled soviet tractor factory like the rest of loom line-up.

AC's have found that it is relatively easy to pull focus on the lens. Sometimes the lens feels more like a collaborator, than just hunk of glass and steel. If you like flares, this lens has got them. Also, the zoom range is ideal for 90 of what most would want to shoot.

It is much sharper than the round-fronts I used to own.

part #: 35opf191a price

• $5999.00

specifications lephovi:

• brand: Ekran
• model: 35opf19-1a
• focal length: Zoom
• type: Standard
• maximum aperture: F/20.5
• lens barrel material: Steel
• country/region of manufacture: Russian Federation

General lephovi:

• in stock: Yes
• camerasphoto > vintage moviephotography > vintage lenses vintage movie photography

Seller lephovi:

• city: Circleville, Ohio
• zipcode: 43113

Returns lephovi:

• policy: no returns

Offer lephovi:

• Sold: 0
• bids: 0
• quantity: 1
• Started: May 1, 2017, 9:12 am
• best offer: true

Shipping lephovi:

• handling: 5 days
• type: Flat
• cost: $150.0

Payments lephovi:

• PayPal

Ratings:

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2. Great transaction, come back anytime! 03-28-17
3. Fast and easy sale, absolutely no problems, would sell to them anytime 04-06-17
4. A Buyer, Prompt Payment, Valued Customer Of VideoOneRepair 04-28-17