ANGENIEUX Std Mount Panavision Bayonet Arri Zoom 10-1 25-250MM F3.2 T3.9

( Brand: Angenieux ), ( Model: 10-1 ), ( Part Type: Mount ), ( Focal Length: Zoom ), ( Maximum Aperture: F3.2/t3.9 ), ( Country/region Of Manufacture: France )

Review ANGENIEUX 25-250mm Mounts T3.9 Std Mount Panavision Bayonet F3.2 Arri Zoom

Introducing the Agnelieux T3.9 Standard Mount Panavision 10-1 Bayonet F3.2 ARRI Zoom Lens, a versatile and high-performance optic designed for 25-250mm focal lengths on 25-250mm mounts. This lens is an excellent choice for cinematographers seeking a balance of wide-angle coverage and telephoto reach, making it suitable for a broad range of filmmaking applications.

The Agnelieux T3.9 Standard Mount Panavision 10-1 Bayonet F3.2 ARRI Zoom features a constant T3.9 aperture, ensuring consistent exposure across the entire zoom range. This feature is particularly beneficial for filmmakers who prefer a predictable and controllable exposure, as it eliminates the need to adjust exposure settings as the focal length changes.

The lens boasts a 10-1 zoom ratio, offering a wide-angle perspective at 10mm and a telephoto reach at 100mm. This versatility allows filmmakers to capture various perspectives with a single lens, eliminating the need to change lenses frequently, thereby saving time and reducing the risk of lens changes affecting focus or exposure.

The Agnelieux T3.9 Standard Mount Panavision 10-1 Bayonet F3.2 ARRI Zoom is equipped with a Panavision 10-1 bayonet mount, which is compatible with ARRI and other 25-250mm mounts. This adaptability makes it an excellent choice for a wide array of camera systems, including ARRI Alexa Mini, Amira, and other popular cinema cameras.

The lens features a robust and durable construction, ensuring it can withstand the rigors of professional filmmaking. It is crafted from high-quality materials, including a precision-machined aluminum alloy barrel and a stainless steel mount. The lens also features a robust and ergonomic focus and zoom rings, providing smooth and consistent operation, even under challenging shooting conditions.

The Agnelieux T3.9 Standard Mount Panavision 10-1 Bayonet F3.2 ARRI Zoom lens is designed with advanced optical technologies, delivering exceptional image quality. It features high-performance optics, including low distortion and aberration, resulting in sharp and detailed images with accurate color reproduction. The lens also features a fast maximum aperture of F3.2, allowing for the capture of well-lit images even in low-light conditions.

In conclusion, the Agnelieux T3.9 Standard Mount Panavision 10-1 Bayonet F3.2 ARRI Zoom Lens is an excellent choice for filmmakers seeking a versatile and high-performance lens for 25-250mm mounts. Its constant T3.9 aperture, 10-1 zoom ratio, and Panavision 10-1 bayonet mount make it a versatile and adaptable tool for a wide range of filmmaking applications. With its robust construction and high-performance optics, this lens delivers exceptional image quality and reliability, ensuring your creative vision is captured with the utmost clarity and precision.

1. Excellent image quality: Known for its sharpness, contrast, and color rendition, the Angenieux T3.9 lens delivers high-quality images.

2. Versatility: The 25-250mm focal length range makes it an ideal choice for various shooting scenarios, from wide-angle to telephoto shots.

3. T3.9 aperture: This lens provides a consistent brightness across its focal range, which is beneficial for maintaining a consistent exposure and depth of field.

4. Durable construction: The Angenieux T3.9 lens is built to withstand the rigors of professional film and television production, ensuring long-term reliability.

1. Expensive: The price point of the Angenieux T3.9 lens is relatively high, making it a significant investment for many filmmakers.

2. Heavy and bulky: The lens's size and weight can be challenging to handle, especially during handheld shots or when moving quickly between setups.

3. Limited compatibility: The standard mount may not be compatible with all camera systems, requiring additional adapters or modifications.

1. Wide focal range: The 10-1 zoom lens covers a broad range of focal lengths, allowing for flexibility during filming.

2. Consistent performance: Panavision lenses are known for their consistent image quality, which is beneficial for maintaining a consistent look throughout a production.

3. Lightweight and compact: The Panavision 10-1 lens is more lightweight and compact compared to the Angenieux T3.9 lens, making it easier to handle and transport.

1. Limited maximum aperture: With an F3.2 maximum aperture, the lens may require additional lighting to achieve the desired exposure in certain situations.

2. Limited zoom range: While the 10-1 zoom range is wide, it may not cover as many focal lengths as the 25-250mm Angenieux lens.

3. Bayonet mount: The Panavision 10-1 lens uses a specific bayonet mount that may not be compatible with all cameras, requiring additional adapters or modifications.

Both the Angenieux T3.9 lens and the Panavision 10-1 lens have their strengths and weaknesses. If versatility and a wide focal range are critical to your production, the Angenieux T3.9 lens may be the better option. However, if you prioritize a more compact and lightweight lens with a consistent performance, the Panavision 10-1 lens may be more suitable. Consider your specific shooting needs and budget when making your decision. It's also essential to check the compatibility of these lenses with your camera system before purchasing.

Details:

Without a trace, the big chill, the pope of Greenwich village, Brighton beach memoirs, Eddie, and jingle all the way. An adapter is also available from diorama made by mtg. This was the go to zoom lens during the 70's and 80's and this particular lens has a very rich history.

Fiberglass shipping case in photo is included. Excellent optics. I know this because I was the first 1st or 2nd camera assistant on most of these films. Beautifully crafted in stainless steel and brass, this quick release adaptor is designed for all arri bayonet mounted lenses and will allow you to use them on any pl mounted camera.

One of these is the arri bayonet to arri pl mount. See info below. Starting in the early 70's this was used on the hospital, the gambler, dog day afternoon, and justice for all, slap shot, eyes of Laura mars, ghost story, author.

Pl mount can be easily made to replace the PVC mount. All mounts just thread on to lens. If you are here you know what you are buying on.

part #: 101 prices

• $60.50-$1757.73

specifications lephovi:

• brand: Angenieux
• model: 10-1
• part type: Mount
• focal length: Zoom
• maximum aperture: F3.2/t3.9
• country/region of manufacture: France

Payments lephovi:

• PayPal
• CashOnPickup

General lephovi:

• Cameras & Photo > Vintage Movie & Photography > Vintage Lenses
• in stock: Yes

Offer lephovi:

• best offer: true
• # bids: 0
• Started: November 29, 2016, 6:24 pm
• # Sold: 0
• quantity: 1

Seller lephovi:

• city: Redondo Beach, California
• zipcode: 90277

Returns lephovi:

• policy: no returns

Shipping lephovi:

• type: Calculated
• handling: 5 days

Ratings:

1. Quick response and fast payment, thanks. Please visit us at .fancyqube 07-03-16
2. Great Buyer! 05-22-16
3. Awesome buyer! 03-28-16
4. super fast shipping, great seller 04-01-16
5. Sold me a clean pair of kicks for a great price 03-14-16

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